Primitive Archer
Main Discussion Area => Bows => Topic started by: ntvbowyer1969 on March 20, 2018, 11:46:42 pm
-
Hello everyone, My question and discussion for today is what type of shop light does everyone use. The older i get and the less my eyes work like they used to i am in search for a better light to help my eyes out. I noticed the last couple of bare bows i did with no skins and backing i am seeing some spots where i didnt get the scraping lines out of the back. This is with intense sanding and burnishing. They dont usually appear until i have a few coats of finish on them. I was wondering does anyone have a light or a trick to see the scraping marks before its too late? I usually pick the bow up and turn it at different angles to try and see rough spots. I thought about mounting a light on the side wall of bench but i thought i would ask what everyone else uses. Right now i rely on florescent shop light directly above bench.
-
Whenever I replace any light fittings in the house, I re-use 'em in the workshop... can't have too many lights. Mostly florescents but I keep some old filament buds to put it to my moveable workbench lamp, when I need some warmth of some epoxy etc.
Can't beat natural light especially when finishing. Spring is on the way (or so I've been promised)
Del
-
I avoid ambient light, using a single strong light above my window so the lighting direction over my bench remains constant. I don't use flourescents as they give me a head ache. A single light source highlights high spots and hollows by casting strong shadows. I even shut the door to prevent side lighting when doing finish work
-
I used to have two bulb, four-foot long fluorescent shop lights in my shop. I switched them out with four-foot LED shop lights and am very pleased with the improved quality of the lighting. I highly recommend them as well as natural lighting.
-
Wipe it down with some paint thinner or alcohol and shine a really good flashlight on it. I do that when refinishing furniture, work great. Got a buddy that uses a big giant magnifying lamp with a light, that should work great for something the size of a bow, just for checking the finish sanding before you start the finish.
-
I use LED, but I always look the bow over in natural daylight, that will tell you the most.
-
I used to have two bulb, four-foot long fluorescent shop lights in my shop. I switched them out with four-foot LED shop lights and am very pleased with the improved quality of the lighting. I highly recommend them as well as natural lighting.
x10
-
Currently I have 4' fluorescent lighting. This summer I plan on switching over to LED bulbs.
-
Same here as Outlaw. I have two, double bulb 4 foot fluorescent fixtures right over my shavehorse/bench area. I plan to switch to LED's soon. Before finishing I always check the bow over in natural light.
Kyle
-
I'm in the same boat as you. Try as I might I still end up with a tool mark or two. Now I treat the first couple of coats of finish as a test. I fully expect to sand off a few spots. The best way to find imperfections is to finish it. Just go with that. Probably easier a cheaper than changing out all the lights. I use Minwax Tung oil. Dries quickly, sands easy and matches well well you miss a mark.
-
Same as Will and Pearl for me. I have four sets of dual-tube 4ft LED shop lights. Cool white 4100K with good color-rendering index. I also use a couple 100W-equivalent bulbs in those aluminum reflector fixtures for task lighting and under-lighting to minimize shadows when using the tillering tree.
-
Thank you everyone.
-
I have switch over to almost all 4' LED fixtures in the working area, with 2 hung over the bow bench, and 2 sort of flanking it, as well as 2 moveable reflector LEDs over the table saw. Haven't figured out how to convert the old fixtures to led yet. I think I have 2 more to switch out.
Hawkdancer
-
All LED, way to go in my opinion.
-
When I made the switch over I found stuff in my shop I never knew existed :)
-
Another user of Fluro's here. Good for general lighting, but I strongly agree with stuckinthemud's strong single light source for picking out blemishes, and also for plotting centrelines with the shadow of a string.
Daylight is great for picking out blemishes too.
Raising the grain with a wet cloth between grits of sandpaper goes along way, to help show up blemishes that you thought had been sanded out.